The Fictions of Bruno Schulz · Impossible object
The Book
Unknown; older than authorship
The Book, without attributes — a myth the child remembers, of which every actual volume is a clumsy falsification, including the one Father leaves on the table.
Lovecraft invented a book and then a bibliography to make it rumoured. Schulz invented The Book and then a household to make it lost.
There are no attributes, he says, because any epithet would be a surrender. The child has already tasted it. Father, who deals in the Regions of the Great Heresy and in birds that the townspeople will kill, hands over a catalogue instead — the republic of trash that Schulz also loved, the second Genesis of tailor’s dummies and advertisements. For a moment the child can raise swallows from the type. Then he looks up, reproachful. What have you done with The Book?
This library files volumes that were never written. Schulz files the volume that cannot be written, because writing it would make it one more copy. The Messiah, the novel he did not finish, is sometimes taken for The Book. It isn’t. The Book is the postulate. The Messiah would have been another beautiful failure, which is what all concrete books are, measured against it.
On the readability rating. The story is the search. The authentic object is withheld on principle. Father was not lying. He was early.
In-world history
In the Drohobycz house the child is left alone with it; the wind turns the pages and the pictures rise. Later Father offers a copy. It is not The Book. It is a bound sheaf of quack cures and cheap goods, which the child briefly transfigures into poetry and then rejects. Father says that The Book is a myth one believes in youth. The child knows it is a task. Schulz, who was writing a novel called The Messiah that did not survive the occupation, knew both sentences were true.
Why it matters
Schulz named the thing this catalogue is trying to be, and then showed a father substituting advertisements for it. The Book is not a title. It is the reason titles exist, and fail.
Appearances
- The Book (1937) — Bruno Schulz "Księga", the opening story of Sanatorium Under the Sign of the Hourglass; the child demands the authentic Book and is handed a mail-order catalogue
Connected volumes
- Related to The Book of Sand · The Fictions of Borges
- Related to Necronomicon · The Cthulhu Mythos
- Related to The New Life · The New Life
- Related to The Life of Mozuya Shunkin · A Portrait of Shunkin
- Related to The Messiah · The Fictions of Bruno Schulz
- Related to The Novel of the Typist · The Memory Police
Also from this world
- The Messiah · Lost novel
Catalogue record
- Category
- Impossible object
- World
- The Fictions of Bruno Schulz
- Imagined by
- Bruno Schulz
- First appearance
- Sanatorium Pod Klepsydrą (1937); the story appeared in 1935
- Readability
- Described
Sources
- Bruno Schulz, "Księga", in Sanatorium Pod Klepsydrą (1937). English translation by Celina Wieniewska, in Sanatorium Under the Sign of the Hourglass (1978) / The Street of Crocodiles and Other Stories (Penguin).
Added by house · last checked 2026-09-06